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Финская пресса 13 (продолжение)
Anastasia: http://www.iltalehti.fi/etusivu/ http://iltasanomat.fi/ http://www.mtv3.fi http://84.20.138.5/includes/player/livetvplayer.php финский музыкальный канал The Voice он-лайн
Vivien Lee: summerwine ну вот теперь все логично!с общими усилиями.
Wednesday: summerwine пишет: как раз все логично до 8-го мая А вы-Маразматик, Маразматик!!!
Tiger Lily: Wednesday пишет: А вы-Маразматик, Маразматик!!! я сначала тоже чего-то не втупила то есть до 8 мая выхи, когда у него 7 мая в нью-йорке концерт потом дошло что он вообще имеет в виду в течении этого времени
Anastasia: Надежда пишет: Вилле Вало доволен, что не было преждевременной утечки музыки с нового альбома. Надежда пишет: так что "Скримворкс НЕ пошёл в народ раньше срока" а, ну тогда сейчас он радуется Спасибо, Надь
Надежда: так.. теперь очередь Румбы... Ville Valo: “Luuleeko joku, että kaikki tuloni ovat pääomatuloja?” HIMin keulakuva ei verokarhua pelkää. Teksti, Saku Schildt, kuva: Markus Paajala Olet mahdollisesti Suomen tunnetuin rockartisti. Ärsyttääkö, kun The Rasmuksen Lauri Ylönen on verotietojen mukaan Suomen parhaiten tienaava rockmuusikko? Ville Valo: ”Kai se harmittaa, kun ei ole niin paljon rahaa kuin jollain, kenellä nyt onkaan paljon rahaa. Ei tässä kuitenkaan ihan persaukisia olla koskaan oltu. Mutta joo, kyllä vituttaa. Lauri vituttaa ihan suunnattomasti! (Nauraa.)” “Täytyy muistaa, että Lauri Ylönen on poppari eikä rockari. The Rasmus on popbändi, jolla on ollut kaksi tai kolme valtavaa pophittiä, ja me olemme rockbändi, jolla on seitsemän keskinkertaisen menestynyttä rocklevyä.” “Sitten on sellainenkin klassinen kysymys, että miksi kukaan ei katso, mitä firmoja muusikoilla on ja miten ne tuottavat. Tämä ihan vinkkinä, sillä mainitsemasi tulokset voisivat näyttää niiden myötä hyvin erilaisilta. Luuleeko joku, että kaikki tuloni tulevat pääomatuloina? Ei, eivät tule. Mulla on ihan omat kuviot, jotka ovat täysin laillisia – sen olen tarkastanut moneen otteeseen.” Lue koko haastattelu Rumbasta 2/10 – myynnissä 5.2.–25.2. http://www.rumba.fi/ville-valo-luuleeko-joku-etta-kaikki-tuloni-ovat-paaomatuloja-2981/ полное интервью в февральском номере Румбы, который будет в продаже с 5-го по 25-е февраля... перевод на иглиш - в отдельной теме
Надежда: Надежда пишет: н-да... так и хочется сделать вот так: по-моему, у него уже крыша едет от чрезмерной активности.. summerwine пишет: не знаю но от этого ивью ощущение что Вилле зря ток журналистка оторвала от работы и т.п. по-мойму он тож не рад. вопросы идиотские про либидо и вообще как-то ниче такого не спросили, зачем звали спрашивается посмотрела сейчас, наконец.. по-моему, у него вполне нормально настроение и отношение к происходящему. так что, беру свои слова обратно. хороший мальчик Вилле
summerwine: Надежда пишет: у него вполне нормально настроение и отношение к происходящему по видео да, я сужу по тому что он говорит . но выражение лица. у него не только в глазах а в уголках губ иногда все читается
Whisper: Надежда пишет: очередь Румбы... Здесь транскрипт на английский RICH HEARTBREAKER HIM’s latest album Venus Doom didn’t sell nearly as much as Dark Light, which earned a gold record in the US. With the new album Screamworks: Love in Theory and Practice, Ville Valo puts on a poppier gear. Will the change of style help the sales figures shoot up again? Question: Musically Screamworks is the most cheerful HIM ever, but the lyrics are once again filled with despair. How did that happen? Ville: I don’t think this is a cheerful album. It’s more of an 80’s, Nik Kershaw’s Riddle inspired album, melancholic melodies in a wrong format. There Is a Light That Never Goes Out by The Smiths is also a good reference point because it has lyrics that contradict strongly with the music. It’s about the right balance between the yin and the yang. I guess you could say that Screamworks is like Kiss with a broken heart. Q: After all the doom of the last album, is HIM now trying to conquer the teen fans of 30 Seconds to Mars? V: 30 Seconds to Mars? That wasn’t a very nice thing to say. On Screamworks, we simply wanted to do short songs and say a lot in little time. Venus Doom had for example a song called Sleepwalking Past Hope which was over ten minutes long. When we were playing it on tour, it made us want to experiment with other ideas. Q: Were there other reasons for this change? V: Matt Squire influenced it too because he’s grown up with bands like Van Halen, Duran Duran, and Poison. On the other hand, like us, he appreciates also Faith No More and Bad Brains. We let these influences come out more boldly this time. Q: Are you playing it safe with the poppier style, so that Screamworks would sell more than Venus Doom? V: We haven’t done a single record expecting it to sell a fucking lot. And I don’t know anything about radio hits today, for me the best album of the last few years is Antics by Interpol. Of course we want to be the biggest band in the world, but we want to do it using our own strengths. The demo versions of the fast rock songs of Screamworks have all been more pathetic than the album versions. All our music comes from the same gloominess. Q: You have said that you have the habit of breaking up the band every other day. How do the other guys of HIM handle it when you get angry? V: You have to remember that I’m not the only guy in the band that sometimes has a bad day. Shall we say that I get my period more often than the other guys. Music is important, and sometimes I lose my temper with it. I’m pretty demanding at rehearsals, and if something doesn’t work right away, I lose my temper—and this applies for my own parts as well. Unfortunately, I belong to the group of people that can’t say ‘thank you’. I have tried to change this characteristic of mine though. And being pissed off doesn’t always have to do with the band but with the fact that things aren’t going well at home. This “breaking up the band” is of course symbolic. I can’t break up the band because it has other members as well. On the other hand, the band could hardly keep on going in the same way if I was to fuck off. Especially since I have the rights to the name HIM. Q: You are a rare Finnish singer in the sense that you pronounce English like a native. Do people make jokes about Finns’ bad English abroad? V: I think it’s the Finns who make a big deal out of it. It’s kind of like drinking, Finns don’t drink more than let’s say Italians. The Finnish accent just makes the music more exotic. People don’t think I’m American, and I wouldn’t even want to get rid of my accent. When I was still drinking, my accent always changed with the amount I had drunk. With every pint I moved 50 kilometers north from London. In the end, I was speaking Scottish fluently. Q: You are possibly the most famous rocker in Finland. Does it annoy you that according to the tax records Lauri Ylönen from The Rasmus is the Finnish rock musician making most money? V: I guess it sucks when I don’t have as much money as someone who has a lot of money. But I’ve never been broke either. But yes, I does annoy me. Lauri annoys me so much! (Laughs.) You have to remember, though, that Lauri Ylönen is a pop singer and not a rocker. The Rasmus is a pop band with two or three huge pop hits, and we are a rock band with seven moderately successful rock albums. Then there’s the classic question of why isn’t anybody checking what companies musicians have and how much money those are making. This is just a hint because the tax records you mentioned could look very different then. Does somebody really think that all my income is unearned income? No, it’s not. I have my own maneuvers that are completely legal—I’ve made sure of that many times. [I have to say that if I remember those tax records correctly, all his income was wages not unearned income, but that doesn’t change the point he’s making.] Q: When does being a rock star show its most unpleasant side? Is it when a dream gig at Wembley turns into a booing fest? V: There have been all kinds of things, I don’t even look back that far. I have to say though that the gig at Wembley wasn’t bad in any way. It was a risk that you always have to take opening for a band like Iron Maiden or Metallica. There were 80 000 people at that gig, and the thousand closest to the stage were booing. You can count how many new fans we had a chance to reach. But maybe the worst thing is that people call me a rock star, but I only make a fourth of the money Lauri Ylönen makes.
La Murka: a Voice peregruzhen segodnia shto li? u menai tolko chiornyj ekran vsio, poshlo P.S. programma nachials, esli shto
Tiger Lily: La Murka пишет: P.S. programma nachials, esli shto аааа, у меня не работает
Infinity-myata: Tiger Lily пишет: аааа, у меня не работает там пока просто клипы крутят)
La Murka: Tiger Lily пишет: аааа, у меня не работает poshiolkaj po ssylke The Voice TV sprava ot okna playera. u menia tolko posle etogo zarabotalo poka tolko klipy byli nakonec-to ja Heartkillera normalno snachiala posmotrela, a to vsio na konec na A1 popadaju byli: In Joy and Sorrow Heartkiller KOD Sacrament reklama BABL FOH Solitary Man reklama konec kto ne smotrel nichego ne poterial
Tiger Lily: La Murka пишет: poshiolkaj po ssylke The Voice TV sprava ot okna playera. u menia tolko posle etogo zarabotalo poka tolko klipy byli все у меня получилось по той ссыле что ты кинула другой спасибки
Anastasia: Kouvolan Sanomat перевод на англ. HIM returned to the eighties The band HIM created a new album full of melody and hooks. Helsinki. It's a rare opportunity for a journalist to interview an artist who has sold gold in America. So rare, that it's possible only with Ville Valo and HIM. The new album Screamworks: Love in Theory and Practise tries to repeat Dark Light's historic gold trick from a few years back. There are a few reviews on Screamworks from around the world on internet. And they are nearly praising. - Oh they have them already, I haven't got to explore them yet. It's nice to be flattered, but I prefer constructive criticism rather than one-sided compliments. I know that much, that no one has completely hated it. So there are reviews already, but Valo is happy, that the music on the new album hasn't leaked before it's time. - Protection worked well. If the songs of the new album leakes three months early and with shitty quality, it's like a premature ejaculation. - Or that you'd get a top chef to make you a meal, but only two days after the meal is done, Valo compares. SCREAMWORKS is very consummated entirety. The album was prepared long and thoroughly before the final recording in Los Angeles. Good planning is half way done in this case too. - So they say. Planning also makes sure that no money goes to waste. You can indeed hear, that the album is not made with rushing. - Well, it was definitely made like the cruch of Isaac, but turned out like a cruchboat, Valo laughs. HIM's new album with the jovial keyboard departments reminds hazily of the late 80's pop music sound. - Hazily? The eighties an obvious sound for me. Many people combines our sound with the goth stuff, but these sounds for us comes from somewhere far away from goth, Valo defines. Do you notice, that you, and me are so old, that we speak of the eighties like it was yesterday. But think about this: in Finland there are (legal) adults who are born after Nirvana's Nevermind. That's ludicrous, Valo cries. Valo got excited with walking. Ville Valo has lately gotten better with making music but also as an industrious walker. Is there still any walking excitement left? - Not even a crazy person could walk in the Finnish snow drifts, Valo quits. But during the recordings in Los Angeles the walking was nice. - That was a hell of a nice thing to do. I walked like a little bit over ten kilometers a day. - And no one really walks in LA, so there was alot of space to walk around, the HIM-boss praises. отсюда
Надежда: с 8 по 13 февраля - альбом недели на радио YLEX. первая часть интервью с Вилле можно послушать здесь http://ylex.yle.fi/musiikki/viikon-albumi/viikon-albumina-him-screamworks-love-in-theory-and-practice ссылка непосредственно на радио http://areena.yle.fi/player/index.php?channel=2&language=fi
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